hero-of-ink:

feferi-captor:

get out your VCR’s it’s time to watch The Prince of Egypt. or you can watch it here.

please don’t watch exodus: gods and kings because it’s icky and racist. you deserve better. you deserve the prince of egypt.

May I also add that The Prince of Egypt’s accuracy has been approved by not only Christianity, but by Judaism and Islam as well! So it’s actually the most accurately told version out there!

(via oldfilmsflicker)


sasstronauuut:

cuileggs:

Everything is stupid

unbelievable

(via zordonsquad)


vinegod:

If Humans Could Communicate With Birds by Piques

(via dutchster)


Lopmon vs. Terriermon

(via chriskills)


(via chriskills)


(via j4ya)


white ppl: *for literally hundreds of years and still to this day* black ppl are ugly!!!
black ppl: *looks in the mirror* bye we look good af? like damn near better than yal...???
white ppl: ....
white ppl: everyone is beautiful, u don't have to put ppl down...

Gimme Shelter (Isolated Vocals)
The Rolling Stones ft. Merry Clayton
Let it Bleed

postracialcomments:

theuppitynegras:

so-treu:

maybeitsmaccaline:

Gimme Shelter

Let it Bleed, 1969

This is an excerpt of the song “Gimme Shelter.” The backing vocalist, Merry Clayton, had a small solo in the middle of the song, and since I believe she never got much credit for her vocals, I uploaded the isolated vocal track of her part. I always wondered who she was and I found out recently.She is a very experienced backup singer and has also done backup vocals (live and studio) for artists such as Ringo Starr, Ray Charles, Joe Cocker, Neil Young, and moreThis solo may just make the song for me. Her voice is so raw and powerful. Each time I listen to it, I get chills. The effect is much stronger when her voice is isolated.

THIS IS AMAZING THIS IS AMAZING THIS IS AMAZING

THIS IS SO AMAZING I DON’T HAVE TIME TO ADDRESS OP’S RIDICULOUSLY SUPERFICIAL DESCRIPTION OF MERRY CLAYTON OR HOW SHE FUCKING MADE THIS SONG I’M TOO BUSY CRYING AT THE RAW POWER OF HER VOICE

TRUE STORY SHE RECORDED THIS AFTER GETTING A PHONE CALL AFTER MIDNIGHT FROM THE PRODUCERS. SHE LAID THIS TRACK DOWN AFTER BEING ASLEEP, WHILE WEARING ROLLERS IN HER HAIR AND A ROBE

OH YEAH AND SHE WAS PREGNANT AS FUCK.

SHE ALSO MISCARRIED AFTER THIS SESSION, SUPPOSEDLY FROM THE PHYSICAL/EMOTIONAL STRAIN FROM THIS SESSION

(SOURCE FOR ALL OF THIS)

SO THIS VOCAL TRACK IS REALLY FUCKING IMPORTANT AND REALLY KINDA FUCKING SACRED. EVERYONE CAN GLORIFY SOME WHITE ROCKER FOR STEALING BLACK MUSIC AND BEING DRUNK AND HIGH AS FUCK WHILE DOING SO BUT THE BLACK WOMEN LIKE CLAYTON WHO WERE THE BACKBONE AND SHAPERS
OF ROCK AND ROLL AND FUCKING WENT THROUGH SOME REAL ASS SHIT FOR IT ARE IGNORED

AND IF YOU WANT TO KNOW MORE ABOUT MERRY CLAYTON WATCH 20 FEET FROM STARDOM IT’S ON NETFLIX

she also recorded her own version of this song and it’s pretty

LAWD THIS IS AMAZING


blackfemalepresident:

i dont hate individual white ppl because theyre white most PoC do not

we hate the system white people created and continue to benefit from

we hate white supremacy

not individual white people inside starbucks and walking down the street and shit like that

like

no

believe it or not we actually have lives that dont revolve around the existence of white ppl. we got other shit to do and think about than making every white person our target

(via postracialcomments)


humorous:

handpickedhappiness:

thevoxbox:

charlesoberonn:

giftvvrap:

will you marry me = a marriage proposal
will, you, Mary, me = a foursome proposal

Will you, Mary me = Cavewoman Mary helps Will recover from his Amnesia

Will, you marry me. = Will’s time-traveling partner

And people keep trying to tell me that punctuation isn’t important

 

(via dutchster)